Showing posts with label Denise Mina. Show all posts
Showing posts with label Denise Mina. Show all posts

3 September 2013

Review: GODS AND BEASTS, Denise Mina

  • Published by Orion Books 2012
  • ISBN 978-1-4091-4068-9
  • 291 pages
  • #3 in the Alex Morrow series
Synopsis (author website)

A hold up in a Glasgow post office: A well dressed doting grandfather hands his beloved grandson to a tattooed stranger, steps out of the queue and helps the robber. He seems to know that the man can't leave the post office and let him live. He stands, passive, and lets the man do what he wants.

Morrow begins the investigation with a bad feeling about it. She wants to go home. That's all she ever wants to do, to go home to her boys, but the robbery pulls her into the city and lives she could only begin to imagine.

Read an extract etc.

My Take

Denise Mina won the 2013 Theakston's Old Peculier crime novel of the year for the second time in a row with GODS AND BEASTS, making it another must read. (See the other contenders)
To my mind, it is not as good as THE END OF THE WASP SEASON but it is certainly thought provoking.

On the surface, Alex Morrow is investigating why a grandfather assists a masked robber in a post office armed robbery after he has apparently recognised the robber. He is then gruesomely murdered.

But really the novel is about Glasgow's underbelly of crime, the connections between politicians and criminals, between the police and criminals, and about corruption among those who should be incorruptible. Even police officers close to D.I. Morrow are flawed, and she herself is still in touch with her half-brother Danny, himself a crime boss, drug supplier and money launderer.

Strands of the novel that begin separately: the post office robbery; the fall of a well thought of politician; a sting involving drug bosses and money launderers; and union politics; converge into a stunning web. Morrow is put on a short leash by her commanding officer, as it also becomes inevitable that there will be an internal investigation into police corruption.

My rating: 4.7

Alex Morrow
1. Still Midnight (2009)
2. The End of the Wasp Season (2011)
3. Gods and Beasts (2012)
4. The Red Road (2013)

My reviews
4.5, STILL MIDNIGHT
5.0, THE END OF THE WASP SEASON 

Reviews to read

25 July 2013

24 July 2013, On the doorstep, waiting to be read

As you can see from my list below, I am not making a lot of headway in making my TBR (To Be Read) pile diminish. Review copies are piling up, not helped by my self selected library books. Hopefully you will also find something to interest you among these.

See the history of this occasional post.

I'd like to also stress that there is no rhyme or reason to my selections.

Please note that this listing is in no way a recommendation for you to read a title, simply a chance for you to assess for yourself whether you would like to read it. I will also try to discover whether the book is available on Kindle, particularly for Australian authors which are not necessarily available overseas.
IF I TELL YOU.. I'LL HAVE TO KILL YOU, edited by Michael Robotham
Kindle edition available July 24
Allen & Unwin paper back

Australia's best crime writers - Michael Robotham, Kerry Greenwood, Shane Maloney, Peter Corris, Tara Moss and more - share the secrets to their success, their best- ever writing tips and their favourite 'must reads'. An ideal guide for aspiring writers and crime fiction fans alike.

Description

Crime fiction is the single most popular genre in international publishing and Australia has some of the finest practitioners when it comes to walking the mean streets and nailing the bad guys.

Whether you're a fan of crime fiction, true crime or a would-be crime writer, this collection of essays will provide laughter, understanding, insight, ideas, advice and hopefully some inspiration. Learn about Shane Maloney's near-death experience in a freezer, Leigh Redhead's adventures as a stripper and Tara Moss taking a polygraph test to prove her doubters wrong.

There are stories of struggle and triumph, near misses and murderous intent, as our best crime writers lay bare their souls and reveal their secrets as never before, along with their rules for writing and reading lists.

But beware. They will have to kill you...

THE SHADOW TRACER, Meg Gardiner
A review copy from Penguin Australia
Kindle edition here.

When someone wants to find you badly enough, vanishing is no longer an option
.
Sarah Keller is a young single mother living in Oklahoma with her five year-old daughter, Zoe. Her day job is to hunt out people on the run and bring them to justice. So imagine how it looks when a school bus accident sends Zoe to the ER and tests reveal Sarah can't be Zoe's mother.

Sarah has been living a lie for years and finally the truth is coming out. Who is she? Who were Zoe's parents? And why does Zoe's identity bring the FBI down on Sarah's tail in mere minutes?
The FBI is the least of her worries, though. Sarah needs to keep Zoe off the grid, but with a sinister religious cult also preparing to attack, where on earth can they hide?

Something deadly lurks in Sarah's past and its resurrection brings terror to all it touches.

EYE FOR AN EYE, Ben Coes
Review copy from Pan Macmillan Australia
Amazon Kindle version here

When Dewey Andreas uncovers the identity of a mole embedded at a high level in Israel's Mossad, it triggers a larger, more dangerous plot. The mole was the most important asset of Chinese Intelligence, and Fao Bhang, head of China's Ministry of State Security (MSS), responds to the discovery and brutal elimination of the mole, by immediately placing a kill order on the man responsible – Dewey Andreas.

Dewey is tracked to Argentina, where he is on vacation with his fiancee, Jessica Tanzer, a U.S. National Security Advisor. A top-level kill team is sent in quickly and quietly, but their attack fails to take out Dewey. The collateral damage, however, is both horrifying and deeply personal. With nothing left to lose, Andreas is determined to have his revenge.

Once he learns who is probably behind the attack – and why they are after him – Dewey goes rogue, using all of his assets and skills to launch a counterattack. Andreas must now face the full weight and might of the MSS, Chinese Intelligence, and the formidable Fao Bhang, if he's to achieve his one last goal: revenge on a biblical scale, no matter the odds or the armies that he will have to fight his way through. Andreas – former Army Ranger and Delta – is a man of great skills and cunning. His opponent, Fao Bhang, is ruthless, determined, and with no limit to the assets at his disposal. In this conflict, there are only two possible outcomes. And only one Dewey Andreas.

DEADLY HARVEST, Michael Stanley
Library book - I need to read this for the 2013 Global Reading Challenge which I have sadly been neglecting
Kindle version available

Synopsis (Amazon)

Deadly Harvest in Michael Stanley’s beloved Detective Kubu series tracks a series of murders and a mysterious witch doctor whose nefarious potions might hold the key to a web of missing persons.

When young girls start to go missing, Samantha, a new detective on the Botswana police force suspects that muti, a traditional African medicine, is the reason. She and Detective David “Kubu” Bengu race to stop a serial killer, all as the father of one of the victims threatens to take matters into his own hands.

Weaving together a thrilling mystery with a fascinating look at modern-day Africa, Deadly Harvest is filled with elements suspense and plot twists that will keep you captivated until the very end.

GODS & BEASTS, Denise Mina
Library book - this recently won the Theakston's Old Peculier Novel of the Year Award at the Harrogate Crime Festival
Kindle edition

Synopsis (Amazon)

A Glasgow post office one week before Christmas. Martin Pavel cowers on the floor, his eyes locked on those of a terrified child. Above them a masked gunman wields an AK47 while the boy's grandfather calmly volunteers to help the robber gather the money. Then the old man stands passively, hands by his sides, while the gunman raises the barrel and shoots him to shreds.

Recently returned to work after the birth of her twins, DS Alex Morrow is called in to head the investigation. Why did the grandfather offer his help? Was it a moment of madness, a noble act of self-sacrifice, or did the old man and his killer share a dark past?

Morrow's enquiries lead her to the door of Kenny Gallagher, a politician fighting for his political life - and his marriage - after he's publicly accused of having an affair with a young employee. And unknown to Morrow a temptation too great to resist leads two of her colleagues, DCs Leonard and Wilder, to make a rash decision and leaves them at the mercy of a ruthless blackmailer.

The complicity of an old man in his own death, a promiscuous politician and a bag of untraceable money - one city, three crimes and a powerful connection that runs from Glasgow's dark criminal underworld to the international spheres of the super rich.

THE CORPSE ON THE COURT, Simon Brett
Library book - this will bring me up to date in the Fethering series.
Available on Kindle

Synopsis (Fantastic Fiction)

Jude's life has been turned upside-down thanks her new mant, Piers Targett, who's keen to get her involved in his hobby - or obsession - of Real Tennis. But when one of Piers' friends dies on the court in suspicious circumstances, Jude finds herself caught up in the police investigation.

Meanwhile, Jude's neighbour Carole is trying to identify the human remains known locally as the 'Lady in the Lake.' As the two investigations become intertwined, Carole and Jude's efforts to find the truth look set to lead to more murders.

15 September 2011

Review: THE END OF THE WASP SEASON, Denise Mina

  • Format: Kindle Edition
  • File Size: 572 KB
  • Print Length: 416 pages
  • Page Numbers Source ISBN: 1409100952
  • Publisher: Orion (May 12, 2011)
  • Sold by: Amazon Digital Services
  • Language: English
  • ASIN: B0050C86Y0
  • Source: I bought it
Product Description (Amazon

When wealthy Sarah Erroll dies a violent death at her home in a posh part of Glasgow, the local community is stunned by what appears to be a truly gratuitous act.
Heavily pregnant with twins, DS Alex Morrow is called in to investigate and soon discovers that there is more to Sarah's murder than it first seems.
On the other side of town, Thomas Anderson is called into the headmaster's office at his boarding school to be told that his tyrannical father - a banker responsible for the loss of many livelihoods in the recession - has committed suicide. Thomas returns to the family home to find his mother and sister in a state of numb shock. The head of the household is dead, yet their initial reaction is not of grief, but relief.
As Alex Morrow slowly unravels the connections between the two cases, she must also deal with the death of her own father and her brother's continuing criminal activities. Trying her hardest to disentangle herself from her family's disreputable history, she faces the challenge of an uninspired police force who have zero sympathy with Sarah Erroll, a middle-class victim who it appears was acting as an high class escort. Can Morrow solve the mystery of a cold-blooded murder without support? In THE END OF THE WASP SEASON she faces her greatest challenge yet as her work and home lives collide with potentially disastrous consequences.

My take:

This is #2 of Mina's Alex Morrow series, with #3 planned for publication in 2013.
I reviewed the debut title STILL MIDNIGHT a few weeks back.

In that first title Alex Morrow had recently returned to work after a breakdown and period of convalescence. DS Morrow has secrets that she would rather colleagues and bosses didn't know about. THE END OF THE WASP SEASON relates another of those secrets - Alex is attending her father's funeral, and meets up with her half-brother, local crime boss Danny McGrath. In STILL MIDNIGHT Alex asked Danny for a favour. In THE END OF THE WASP SEASON he has one to ask of her.

The opening pages of the novel though describe the death of Sarah Erroll at the hands of two gawky teenage boys. Sarah's attempt to phone 999 is treated as a prank call and Sarah signs her own death warrant when she tells one of the boys that she recognises him. The reader is really never given a clear description of how Sarah Erroll dies but a lot is made of using the blood spatters to determine which of the boys was responsible.

One of the boys, Thomas Anderson, is later told that his father has hung himself, although this is not the motivation behind the murder. He has to return home to become "head" of the family at fifteen, and then it becomes obvious how damaged and dysfunctional this family really is.

At work Alex's former DS colleague John Bannerman has been made DI, and he has resorted to bullying tactics with his team. The team on the other hand not only dislike Bannerman but they have no empathy with Sarah Erroll, the victim of the murder. The investigation by Morrow  takes place against the background of police department politics. The fact that Alex Morrow is just over four months pregnant with twins is definitely a complicating factor.

Alex Morrow finds that she actually went to school with a woman who was the primary carer for Sarah Erroll's mother. A little predictably Kay and her sons become prime suspects for Sarah's murder. The unempathetic Bannerman is keen to wrap the investigation quickly by charging Kay.

I really enjoyed this novel, including the puzzle of the title. If you read it watch out for references to wasps. I love titles where the meaning is open to interpretation!
So, do yourself a favour - read these in order, go looking for STILL MIDNIGHT, read that first, and then savour THE END OF THE WASP SEASON.

My rating: 5.0

Other reviews to check
Read the first chapter on Denise Mina's website.

24 August 2011

Review: STILL MIDNIGHT, Denise Mina - audio


Publisher's Blurb

It’s the case that could make DS Alex Morrow’s career. A suburban home invaded in the dead of night and a vulnerable old man taken hostage. It’s a black and white case and it shouldn’t be hard to solve….

The two strangers who forced their way into the house demanded millions the family didn’t have and shouted for a man nobody had heard of. It had to be a mistake, and a bad one at that. But Alex Morrow can’t be depended on and the bosses know it. Working this case is tearing her apart and as it unravels, Morrow finds that the only people she can bear to see are the very ones she’s been running from for 20 years.

My take:

A home invasion gone horribly wrong? Men break into a home in Glasgow looking for Bob. The Anwar family are Ugandan and deny all knowledge of Bob. Frustrated the home invaders snatch the elderly father of the family but not before shooting one of the daughters. The men say the ransom will be a million pounds.

There's a lot going on in this book. A family member sitting in a car outside the house chases the home invaders only to be stopped and questioned themselves by local police. Meanwhile they see the invaders' car driving away.

The reader follows what happens to the victim and learns the circumstances under which he became a refugee as a young man. The police try to solve the puzzle of first of all who Bob is, and then why the invaders thought they could demand such a high ransom. We also learn about how the home invaders became involved in this job.

And underneath all the other themes Mina explores the return of DS Alex Morrow to work and her relationships with her husband, her colleagues and her boss. Alex is desperate for success at any cost and she is very conscious that she has to prove herself.

This is a very gritty book and raises a number of the issues facing modern residents of Glasgow, particularly immigrants.

I need to admit though that I found this particular narration a bit problematic. Faced with a large range of characters, the narrator Katy Anderson utilised what felt to me a too heavily accented voice, with deeper tones used for females, and the male Ugandans in particular depicted with high pitched voices.

My rating: 4.5

This is the first in Mina's Alex Morrow series (courtesy Fantastic Fiction)
1. Still Midnight (2009)
2. The End of the Wasp Season (2011)
3. Gods and Beasts (2013)

7 March 2008

Adelaide Writers' Week, Final Day, Day #4 for me

Other things have intervened in the last 2 days, so there are things I've missed. People tell me there was a stunning session with Germain Greer yesterday, and then on Wednesday I missed sessions with Ian McEwan and Geraldine Brooks.

Adelaide is in the grip of what looks set to be one of our longest hot spells ever. Even the white plastic chairs feel warm to the seat, and there were many less people in attendance today. Hand fans were briskly being waved and even water spray bottles were in use.

So much going on in Adelaide just now: the Festival of Arts (of which AWW is a part), the Fringe Festival, and tonight WOMAdelaide kicks off. Tomorrow night the Crows host a home final in the AFL pre-season cup. To cap it all, a state public holiday on Monday for Adelaide Cup ( a horse race).

My purchase today: RENDEZVOUS AT KAMAKURA INN by Marshall Browne.

A real treat for crime fiction addicts this afternoon. Elsewhere I have grumbled about programming Gabrille Lord and Garry Disher in rival Meet the Author sessions.
Here are some snippets from the sessions I attended.

Session 1: Meet the author: Marshall Browne

In 2000 he won Best First Crime Novel in the Ned Kelly Awards for THE WOODEN LEG OF INSPECTOR ANDERS.

Browne began writing in the 1970s as a "Sunday morning" writer, when living in Hong Kong. Marshall Browne seems an unlikely author, coming over more like the banker that he's been most of his life.

He was very candid about how his novels develop, how his ideas often begin as images, seen early in the morning, sometimes when he is half asleep. Incidents and details often emerge from his own life. The book gradually emerges from his sub-conscious, which he is in thrall to. He doesn't plot the book prior to writing and researches as he needs to. He often mixes real characters with fictional.

He is really one of Australia's lesser known crime writers, but there is plenty in the 12 already published novels, some out of print. Indeed at AWW he warranted a larger audience.
He is currently working on 3 books: the sequel to EYE OF THE ABYSS will be published later this year, the 4th Inspector Anders is in draft, and next year will work on his 4th book in the "Melbourne" series. His bio says he works 40 hour week.

Session 2: Meet the Author: Gabrielle Lord

Gabrielle Lord appears a number of times elsewhere in my blog, and her latest book SHATTERED shares top spot in my best reads for 2008.

She has collected 2 awards: The Ned Kelly Award for best novel in 2002 for DEATH DELIGHTS, and a Davitt Award in 2003 for the best Australian crime novel by an Australian woman in the previous year for BABY DID A BAD, BAD THING.

Gabrielle began by describing what led to the writing of her first published novel FORTRESS in 3 weeks. She says that for any book, writing is only 5% of it. getting to the writing stage, for her is the hard part and accounts for 95% of the effort. She plans and researches all her books meticulously. The depth of research is what results in the meticulous details. She interviews experts and finds that most enjoy talking about what they do, especially if they recognise that you have made some effort to get your head around the topic,a nd can ask focussed questions. Gabrielle has done work experience in surveillance, attended victims of homicide meetings, done courses in anatomy, stood on the streets with prostitutes, toured morgues.

She believes most central characters will be flawed - that is what makes them so interesting. "Angels" are generally not very interesting, and she constantly looks for very human stories. She is always looking for stories to engage the reader.

Gabrielle says writing a book is a lot like knitting. Complexity emerges to keep the author intrigued. She sets herself problems and challenges. At the same time her setting is Australia because she tries to focus on what she knows.

She talked briefly about her 12 part thriller for YA, designed to be a continuous story, in 12 parts. Each will be self contained but all 12 will add up to a whole. They will come out on a monthly basis and be named January, February, etc.

Gabrielle feels very strongly about issues such as women's rights, e.g. in Islamic communities both here and abroad.

Session 3: Friday Crime
A panel with Marshall Browne, Garry Disher, Gabrielle Lord, Denise Mina.
Garry Disher won the Ned Kelly Award for best crime novel in 2007 for CHAIN OF EVIDENCE. In April, oz_mystery_readers are discussing this book.

The panel at first individually attempted to explain why crime fiction is becoming so popular.

Garry Disher:
  • it has always been popular, the real question is why it has become so acceptable
  • enormous diversity in the genre
  • some approaches "literature"
  • fed by the popularity of true crime books, and TV shows
  • strongly narrative, lots of acvtion
  • social barometer, tells us about the "real" world
  • gives us vicarious pleasure, often darkly humorous
  • at one level can be very re-assuring as justice is often restored
  • main characters are often just like us
  • "who dunnits" have been replaced by "what makes people tick"
  • the reader is the investigator
  • an exploration of our darker side
Gabrielle Lord
  • dramatic shift from cozies - those days have gone
  • sees herself as a relationship writer rather than a crime writer. Crime is the vehicle to draw the story along - the hook
  • how do people connect?
  • how do people tell the truth in fiction?
  • creation of tension
Marshall Browne
  • basically only 2 genres: books you like & those you don't
  • novels are places where you can explore the exotic and bizarre
  • the main thrust is the developing story
  • character driven fiction
  • determined to conquer the writing of shorter novels
Denise Mina
  • thought about writing under an alias - how about MissDMina?
  • fan of literary fiction
  • crime fiction often seen as trash
  • literary fiction should aspire to having the readership of crime fiction
  • move for crime fiction to be taken seriously
  • crime writers are expected to write about 1 book a year, and they often make a pretty good living (if they are successful)
  • crime writing lays the author's politics bare
  • social & political issues become part of the novel's underlying fabric.
So that is Adelaide Writers' Week for another 2 years.
Today's events ended at about 5 with drinks and nibbles - very civilised.

3 March 2008

Adelaide Writers' Week, Day 2, Part 2

Really wasn't a crime genre day today, so you might want to stop reading here.
I should explain that there are 2 sessions happening simultaneously throughout each day, and what I am describing here are the sessions that I attended.

Session 1- In Conversation, Peter Carey with Matthew Condon

The focus of this conversation was really on Peter Carey's latest novel HIS ILLEGAL SELF. Condon began by reading the first paragraph of a complimentary New York Times Review (which I have not been able to find - it certainly wasn't this one)
Carey admitted that some of the novel is based on his own experiences of living on a commune in Queensland 30 years ago.
This is the first of his novels with American characters and that worried him at first. Eventually in the process of writing, he forgot to worry.
Carey believes that readers plug their own imagination into a book, and experience things that the writer never envisaged. He says the glory of writing fiction is to enter worlds you did not know. Writers are magicians - we don't always know where things have come from. The reader's disappointment may be the author's moment of blinding triumph. (referring to the ending of OSCAR & LUCINDA)

Other sites to look at
Session 2 - Window on Scotland with James Meek, Denise Mina and Graham Tulloch.

Graham Tulloch is professor of English at Flinders University and a specialist on Sir Walter Scott, James Hogg and Robert Louis Stevenson. In the 19th century, Graham's specialist area, Scottish writing had its own voice, which included dialect and dialogue, and references to Scottish history.
Denise Mina told us that crime writing is enormous in Scotland with many female writers.
James Meek said that Scottish writing in recent decades has been characterised by wave after wave of new writers who have re-defined the genres.

Session 3 - Book Launch - THE DRESSMAKER'S DAUGHTER by Kate Llewellyn
See News Review
Kate Llewellyn's #19 book, a memoir, but not a conventional success story, rather an illustration of an uneven movement through life, full of arresting images. Tumby Bay girl, poet, one woman's story, in many ways the story of many South Australian women.

Session 4 - Meet the author: Barry Jones

The Hon. Dr Barry Jones is a writer, broadcaster and former Labor member of both the State and Federal parliaments. He was Australia’s longest serving Science Minister (1983–90) and served as National President of the Australian Labor Party from 1992 to 2000 and again in 2005– 06. He is a Vice Chancellor’s Fellow at Melbourne University and serves on six medical research boards. His biography A Thinking Reed was published in 2006.

As always Barry was entertaining. National Living Treasure, ex-quiz champion, ex-president of the Australian Labor Party, Barry believes his politics came from his childhood in post-depression Australia. Writing his autobiography A THINKING REED was most difficult and most painful. He strongly believes in the importance of seeking knowledge, internalising it, and then disseminating it.

Barry believes (like Peter Carey) that no two people read a book the same way. Some tell him that they have found A THINKING REED hilarious, and some have found it "anguish from beginning to end."

Barry was never exactly sure who the target of his book was - not sure that the primary audience wasn't himself. He thinks he was too political to be an intellectual, and too intellectual to be accepted as a politician.
His talk ended with an affirmation that he is after all a political person, and demonstrated why he is still a national living treasure.

1 February 2008

Adelaide Writers Week program available online

See 2012 information

The program for Adelaide writers Week 2-7 March 2008 is available online at http://www.adelaidefestival.com.au/library/WWTimetable.pdf

You'll need Adobe Acrobat reader 8 to read it - if opening the pdf stalls on your computer then the likely answer is that you need to update your Acrobat Reader.
You can do that easily by going to http://www.adobe.com/uk/products/reader/ and choosing the Download option.

So what do I think of the program?
On the first day, 2 March, Sunday Crimes - a 90 minute session with Thomas Cook, Peter Corris, and Denise Mina looks right up my alley.

But on the next day, 3 March, I have to make a choice between Dorothy Porter and Peter Carey (the latter will probably win)
There's a session called Window on Scotland with James Meek and Denise Mina.
And then a couple of sessions in the afternoon including Peter Corris.

Day 3
A book launch with Peter Carey
But who set Thomas Cook and Denise Mina on at the same time? grrr..........
Not really much more on that day for this little duck.

Day 4
A session with Ian McEwan at the beginning of the day.
And later in the day a session that includes Geraldine Brooks looks good.

Day 5
All looks a bit cultural for me - maybe I'll have a day home just reading

Day 6, last day, 7 March
Meet the author Marshall Browne looks good
But what klutz makes me choose between Gabrielle Lord and Garry Disher??
But then at the end of the day we get all 3 in a panel session, so I guess I'll be happy.

However with 2 timetable clashes of crime genre writers, can't help feeling it could have been done better.

Just need nice weather now - not a lot of hope of rain so we should be ok there. It can be hot in March though.

LinkWithin

Blog Widget by LinkWithin