2 October 2014

Meme: New-to-me Authors July to September 2014

It's easy to join this meme.

Just write a post about the best new-to-you crime fiction authors (or all) you've read in the period of July to September 2014, put a link to this meme in your post, and even use the logo if you like.
The books don't necessarily need to be newly published.

After writing your post, then come back to this post and add your link to Mr Linky below. (if Mr Linky does not appear - leave your URL in a comment and I will add to Mr Linky when it comes back up, or I'll add the link to the post)
Visit the links posted by other participants in the meme to discover even more books to read.

This meme will run again at the end of January 2015
 


What I read in September 2014

This month has been a bit of a slower reading month although I did reach the 100 titles for 2014 milestone.
Some good Australian authors for you to check out.
Crime Fiction Pick of the Month 2014
  1. 3.9, THE WALLS OF JERICHO, Jack Bunyan - British police procedural
  2. 4.6, THE MURDER BAG, Tony Parsons - British police procedural, audio book 
  3. 4.5, QUICK, Steve Worland - Australian author, kindle, NetGalley 
  4. 4.5, THE SILKWORM, Robert Galbraith - British (pseudonym of J.K. Rowling)
  5. 4.7, ALREADY DEAD, Jaye Ford - Australian author, Kindle, NetGalley 
  6. 4.5, CAN YOU KEEP A SECRET?, Caroline Overington - Australian author, Kindle, Net Galley  
  7. 4.3, ELEPHANTS CAN REMEMBER, Agatha Christie
  8. 3.8, POSTERN OF FATE, Agatha Christie
  9. 4.5, THE CRITIC, Peter May
  10. 4.6, CURTAIN: POIROT'S LAST CASE, Agatha Christie
My Pick of the month is Jaye Ford's  ALREADY DEAD, although there were some others to consider too.

See what others have listed as their pick of the month.

1 October 2014

Review: SLEEPING MURDER: MISS MARPLE'S LAST CASE, Agatha Christie

  • format: Kindle (Amazon)
  • File Size: 425 KB
  • Print Length: 227 pages
  • Page Numbers Source ISBN: 0451200195
  • Publisher: HarperCollins; Masterpiece ed edition (October 14, 2010)
  • first published in 1976
  • Sold by: HarperCollins Publishers
  • Language: English
  • ASIN: B004BDOTLS
Synopsis (Amazon)

The owner of a seaside villa is plagued by strange feelings about its past…

Soon after Gwenda moved into her new home, odd things started to happen. Despite her best efforts to modernise the house, she only succeeded in dredging up its past. Worse, she felt an irrational sense of terror every time she climbed the stairs…

In fear, Gwenda turned to Miss Marple to exorcise her ghosts. Between them, they were to solve a ‘perfect’ crime committed many years before.

My take

The first thing that struck me is that this doesn't really feel like Miss Marple's "last case". Jane Marple is old but not as old as she is in NEMESIS. She is still able to travel, garden etc.

Secondly I think the writing style is actually Christie at her peak, and a little better than in CURTAIN, Poirot's last case.

I have actually read SLEEPING MURDER before, and seen TV adaptations, so the story was not new, and I had a vague memory of how it resolved.

In contrast, I had never before, as far as I can remember, read CURTAIN, and I have resolved to look for David Suchet's adaptation.

So this is the end of my journey, the last novel in my Agatha Christie Reading Challenge, to read her novels more or less in order of publication. It is a journey that began just on six years ago, although I had read many of the novels in paperback form in the late 1960s. Future blog posts will be used to explore some of what I have learnt in my journey.

There aren't similarities between CURTAIN and SLEEPING MURDER.
* both contain references to Shakespeare's Othello
* both contain references to X who is a murderer - in CURTAIN he pushes others to commit murder even if he doesn't commit it himself; in SLEEPING  MURDER he appears to be the person actually responsible for Gwenda's stepmother's disappearance.

Miss Marple doesn't seem to play a large role in SLEEPING MURDER, more that of a consultant, although she does carry out some investigation herself. She does suggest to Gwenda a possible solution for her memories about the cottage Hillside, and then arranges to take a short holiday in Dillmouth at a B and B, which puts her right on the spot to give advice to the young couple.

In the long run a good read.

My rating: 4.7

This the final title for me in the Agatha Christie Reading Challenge. I have read all 66 titles, more or less in order of publication. The full list of titles is here.

I'll write in more detail in later posts about what I think I've learnt. Don't get me wrong, I am definitely NOT an expert on the novels of Agatha Christie. In fact, I now feel that maybe I should start again, to see if I can remember more of the plots of individual titles. But it has been a wonderful journey.

Crime Fiction Pick of the Month September 2014

Crime Fiction Pick of the Month 2014
Many crime fiction bloggers write a summary post at the end of each month listing what they've read, and some, like me, even go as far as naming their pick of the month.

This meme is an attempt to aggregate those summary posts.
It is an invitation to you to write your own summary post for September 2014, identify your crime fiction best read of the month, and add your post's URL to the Mr Linky below.
If Mr Linky does not appear for you, leave the URL in a comment and I will add it myself.

You can list all the books you've read in the past month on your post, even if some of them are not crime fiction, but I'd like you to nominate your crime fiction pick of the month.

That will be what you will list in Mr Linky too -
e.g.
ROSEANNA, Maj Sjowall & Per Wahloo - MiP (or Kerrie)

You are welcome to use the image on your post and it would be great if you could link your post back to this post on MYSTERIES in PARADISE.


28 September 2014

Review: CURTAIN: POIROT'S LAST CASE, Agatha Christie

  • format: Kindle (Amazon)
  • File Size: 926 KB
  • Print Length: 228 pages
  • Page Numbers Source ISBN: 0425173747
  • Publisher: HarperCollins; TV tie-in ed edition (October 14, 2010)
  • Sold by: HarperCollins Publishers
  • Language: English
  • ASIN: B0046A9MUY
Synopsis (Amazon)

A wheelchair-bound Poirot returns to Styles, the venue of his first investigation (THE MYSTERIOUS AFFAIR AT STYLES published in 1920 , where he knows another murder is going to take place…

The house guests at Styles seemed perfectly pleasant to Captain Hastings; there was his own daughter Judith, an inoffensive ornithologist called Norton, dashing Mr Allerton, brittle Miss Cole, Doctor Franklin and his fragile wife Barbara , Nurse Craven, Colonel Luttrell and his charming wife, Daisy, and the charismatic Boyd-Carrington.

So Hastings was shocked to learn from Hercule Poirot’s declaration that one of them was a five-times murderer. True, the ageing detective was crippled with arthritis, but had his deductive instincts finally deserted him?…

My Take

Published in 1975, and supposedly written about 35 years earlier, which puts it at the beginning of World War II, apparently during the blitz.

Hastings, as narrator, makes his first appearance since DUMB WITNESS. In fact he has married, brought up four children, and then buried his wife. The timeline of Hastings' life doesn't quite fit real time so it is one of those things we don't look at too closely. His daughter Judith is one of the characters in the story, and seems to be in her early twenties.

Poirot, crippled with arthritis, a shadow of his former self, and confined to a wheel chair, brings Hastings to Styles to assist in the apprehension of X who has already been involved in five murders. He hopes they will be able to prevent another murder. 

Poirot constantly tells Hastings that his mind, his little grey cells, is not impaired, just his body, and he needs Hastings to be the mobile one. However he refuses to tell Hastings who he has identified as X, and this puts him at quite a disadvantage. Poirot finds Hastings as frustrating to work with as he always has, and they do not manage to prevent more murders occurring. It is not for four months after the last murder that Hastings finds out the truth.

Even without the title the reader knows this is the final curtain for Poirot.

I don't actually think that I have read CURTAIN before and so the ending comes as a real surprise. I am not sure it fits with the Poirot I know from books that were written after this one. In many ways CURTAIN is a very black pessimistic book, fitting with the mood of the world when it was written.

The novel is relatively short, similar to earlier novels.

At the end of the Kindle version there is an interesting essay by Sir Charles Osborne in which he discusses the decision taken to finally publish the novel, and the impact that it had on the Christie reading public.

My rating: 4.6

I have been reading this as part of the Agatha Christie Reading Challenge, and this is the penultimate title.

Review: THE CRITIC, Peter May - audio book

  • series: The Enzo Files, Book #2
  • available from Audible.com
  • Narrated by: James Adams
  • Length: 10 hrs and 18 mins 
  • Unabridged Audiobook
  • originally published 2007 
  • source: I bought it
 Synopsis (Audible.com)

Gil Petty, the world's number-one wine critic, is found dead and strung on a cross in the vineyards of France.

Enzo Macleod, Scots exile and former forensics expert, finds that the genteel world of winemakers hides a business driven by greed, envy, and desperation, with no shortage of possible killers.

My Take

I think it probably helped to have read the first in the series, EXTRAORDINARY PEOPLE, which gave biographical background to Enzo McLeod, how a Scotsman comes to be in France, lecturing at a university in biology when he is in fact a forensics expert (although essential details emerge in the narrative).

The first in the series also gives the background to Enzo's quest to solve some unusual cold cases.

I haven't read many crime fiction titles set in the wine industry and thought that would be interesting too.

Before long Enzo finds out that there are a number of people who are not keen on him solving this particular cold case and attempts are made on his life.

For those who know little about the wine industry, the author has done plenty of research and I think you will learn quite a lot.

A good read.

My rating: 4.5

I've already reviewed
THE RUNNER
VIRTUALLY DEAD
FREEZE FRAME
4.7, THE BLACKHOUSE
5.0, THE LEWIS MAN
4.5, EXTRAORDINARY PEOPLE (#1 in the Enzo McLeod series)

27 September 2014

Review: POSTERN OF FATE, Agatha Christie

  • format: Kindle (Amazon)
  • File Size: 595 KB
  • Print Length: 256 pages
  • Publisher: HarperCollins; 1st edition (October 14, 2010)
  • first published 1973
  • Sold by: HarperCollins Publishers
  • Language: English
  • ASIN: B0046H95MW
  • Tommy & Tuppence #5
Synopsis (Amazon)

A poisoning many years ago may not have been accidental after all…

Tommy and Tuppence Beresford have just become the proud owners of an old house in an English village. Along with the property, they have inherited some worthless bric-a-brac, including a collection of antique books. While rustling through a copy of The Black Arrow, Tuppence comes upon a series of apparently random underlinings.

However, when she writes down the letters, they spell out a very disturbing message:
M a r y – J o r d a n – d i d – n o t – d i e – n a t u r a l l y…

And sixty years after their first murder, Mary Jordan's enemies are still ready to kill…

My Take

This is the last novel that Agatha Christie ever wrote. In previous titles, NEMESIS and ELEPHANTS CAN REMEMBER she had brought the careers of her other sleuths to a close, although the final novels published relating to Hercule Poirot (CURTAIN) and Miss Marple (SLEEPING MURDER) were both written in about 1940).

Tommy and Tuppence appear together in four full-length novels and one collection of short stories. The collection of short stories is Partners in Crime, (1929), the four novels are THE SECRET ADVERSARY (1922), N or M? (1941), BY THE PRICKING OF MY THUMBS (1968); and POSTERN OF FATE (1973).

Unlike Hercule Poirot and Jane Marple the Beresfords actually age in real time, beginning in their early 20s in 1922 and in POSTERN OF FATE they are in their 70s.

Rather appropriately the mystery in this story begins with a code which Tuppence breaks with ease. While Tommy was the one who worked in Intelligence and then as a private detective, and Tuppence was the one who raised the children and kept the home fires burning, it always seemed to be it was Tuppence whom Christie favored.

This novel is also about memory. The house that the Beresfords have bought has changed hands many times since Mary Jordan died and, as in ELEPHANTS CAN REMEMBER, most of the knowledge about the "Frowline" is mixture of hearsay and innuendo. But the discovery of a gravestone in the local churchyard sets both Beresfords off on a hunt for the truth. Tuppence explores what elderly villagers remember while Tommy goes through more official channels. This is rather evocative of the strategy adopted by Hercule Poirot and Ariadne Oliver in ELEPHANTS CAN REMEMBER. I think it is also Christie exploring how her own memory works.
It turns out that the house that the Beresfords have bought has been "of interest" to British intelligence for decades as a possible hiding place for documents that the government would rather not see made publicly available.

In ELEPHANTS CAN REMEMBER there were references to cases that Poirot had solved, and there are similar passing references here to the previous novels in which the Beresfords featured.

Those who are looking in this novel for signs that Agatha Christie was "past it" or had Alzheimer's won't find it here. The novel is carefully plotted by a writer who still has something to say. However I think some of the episodes of dialogue between the Beresfords is a bit limp, nothing that I could imagine a husband and wife, even after about fifty years of married life, saying to each other. 
In addition some of the plot strands get confusing with informants not clearly explaining the information they are passing on.

I think the novel is also a little outdated in its writing style although it may not have been at time of publication. It reflects a belief Christie held for all her life: that there are some persistent forces of evil that regenerate from one generation to the next. Sometimes they are not at first seen for the malignancies that they are.

My rating:  3.8

I've read this as part of the Agatha Christie Reading Challenge, and now I have just two titles to go.
  • 1975, CURTAIN (Poirot's last case, written about 35 years earlier)
  • 1976, SLEEPING MURDER (Miss Marple's last case, written about 35 years earlier)

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